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Home » Indian Artists » anup-mehta
Shimla,INDIA
With roots in the tranquil landscapes of Himachal Pradesh, his paintings have the wisdom of ancient days and the essence of timeless traditions. Profoundly influenced by the Vedas and Upanishads, Anup composes paintings based on spiritual and religious ideas, employing mediums such as acrylics, oils, computer graphics, and watercolors. With formal education from Solan and Kurukshetra University, his experience has been a mix of academic education and individual experimentation. His paintings have been exhibited in galleries of cities such as Kanpur and Shimla, and he has also taught his art in workshops in Rajasthan. Whatever he paints is an effort to bridge the viewer with the spiritual content of Indian thought and culture.
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Sold ArtworkAnup hails from Himachal pradesh and mainly works in acrylics, oils, digital art and watercolour . He inspired from tantric art moment do mesterious and geometric pattern,spritual abstraction , he used symbols of tantra as a dynamic aesthetic and way to connect matter to consciousness. He explains tantra as a madhyam to achieve higher self atman.Tantra functions as a visual language that articulates spiritual thought through symbols, geometry, and ritual diagrams. It is not synonymous with superstition or black magic; rather, it is a systematic method for realizing the higher self. In popular perception, the term _tantra_ often evokes fear or misunderstanding. Yet, in essence, tantra is omnipresent. The word itself derives from the Sanskrit root ,tan, meaning “to expand” or “to weave,” and _tra_, meaning “instrument” or “method.” Thus, tantra signifies marga the path, the way and tantu the thread, the chain, the link that connects the practitioner to the ultimate goal.As a visual system, tantra employs the bindu as the point of origin, the mandala as the map of the cosmos, and the yantra as an operational diagram of energy. These geometric forms are not mere decoration; they are devices for contemplation and transformation. The triangle, square, and circle become a grammar through which metaphysical concepts ,creation, preservation, dissolution ,are made visible and experiential. The practitioner engages with these forms to internalize principles that cannot be reduced to language alone.In contemporary art practice, this visual language offers a framework to move beyond representation toward embodiment. To engage with tantra is to recognize that every line, intersection, and proportion carries intent. It is a process of aligning inner and outer, microcosm and macrocosm. The fear surrounding tantra in society stems from its conflation with occult practice, but its foundational concern is integration: linking body, breath, mind, and space into a coherent field of awareness.Therefore, tantra should be understood as a disciplined methodology a precise, visual, and philosophical system for navigating the relationship between form and the formless, the individual and the absolute. It is present not only in ritual spaces but in architecture, craft, landscape, and daily life wherever a conscious link is drawn between action and transcendence.
Multiple exhibitions including an exhibition at Kanpur in 2022, an exhibition at Gaety theatre in Shimla at The Mall in Shimla
National exhibition at Mount abbu rajasthan 2022
Solo exhibition at kurukshetra University kurukshetra Haryana in 2024
He has also been a part oof a workshop at Mount Abu in Rajasthan
National art exhibition at mayo College Ajmer Rajasthan 2024
Exhibition at Lalit kal accademy, 2024 Organized by camel art foundation
2022 Pavaki kala strotram international art summit at IIT kanpur
2022 exhibition at gaety theater shimla
National art exhibition 2023 at Nepal organised by Nepal art council
Gold medalist from kurukshetra University kurukshetra Haryana
NET / jRF qualified with All india rank 3 ( AIR 3)
AIR 3 and gold 🥇 medlist from kurukshetra University kurukshetra in visual arts
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