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Home » Indian Artists » sanat-kar
Subrata Gangopadhyay was one of the renowned artists of India in the modern realistic tradition. He has experience of 47 years in communication industry, particularly in Press and Publication and later in the orbit of contemporary painting. In his artwork we can see the poetic sequence with its reliance on visual instead of dialogue. He is magnificent in dramatizing the characters of his paintings, his artworks looks so real and lively that one cannot stop themselves from looking at it. The strength of his lines and life-like quality of his figures painted with acrylic and oil on canvases makes his art work a brilliant art piece which captivate the eye of viewers.
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Sanat Kar’s Art GalleryEnjoy the pleasure of viewing fresh artworks available at Indianartideas updated on
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Sold ArtworkA majority of Sanat Kar's works are surrealistic and have a curious dream-like appearance, mostly nightmarish. Figures are distorted and barely recognisable, and leave an uncomfortable feeling behind them. The same treatment is given to objects. As a result, all his paintings hover on the edge of reality without ever actually reaching there, symbolising the mysteries of life to which there are no answers.
Born in 1935 at Santiniketan,( West Bengal) Kar acquired his diploma in painting from the Government College of Arts and Crafts in Kolkata in 1955.
The artist maintains a low profile, and allows his work to speak for him. His paintings are an eloquent testimony to his talent and artistic powers. He uses the medium of tempera most often in his work and there are layers within layers that emerge on closer perusal. A favourite is the image of the sea: an angry grey green out of which arise men and women as if just born, still with the placental fluid obscuring their faces. A large number of the creatures are amphibious, showing the all-pervading influence of water on our lives and the fear that it can generate.
Birth and death, the beginning and the end of the cycle of life hold endless fascination for Kar, as does the grotesque and the macabre. Sometimes he moves the spotlight on to the visages that are images of decay and mask-like in their contours. Protruding eyes, bulbous, squashed noses, loose lips and a expression that signifies the human who is fast approaching the end and losing all interest and dignity in the bargain appears occasionally in his work.
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